Fairy Tales and other poems by Jonathan Duckworth
Mediation. Shallow rill of air between our throats
& the arrow that finds an artery.
Our dreams boiled down, reduced to waxen dreck.
Less ask, more tell, say we; do not insist so much
on the barren, lithic fact of is;
words, words, words, each a mote of possibility,
so many clamoring in the mouth, afeared fledglings
casting cry into the staid dark
of the ouroboros’s tract. Which is to say, unfact;
turf-stained knees scuttling, prostrate, penitent, up
the slope of Fiddler’s Green,
modest contrition to the last ever Faerie Queen, left
to asphyxiate in the vacuum of a microscope’s slide.
All this to say, You there, Reality,
we see light unspooling from cracks in your mask.
Omen
One summer afternoon my father’s
Harris hawk chases down a pigeon,
rips it from the air, throws it down
into the brown grass blanketing the soil.
Quick kill, fast plucking beak, slick talons.
The hawk’s mouth reddens with joyless
pleasure—the reptilian brain’s revelry.
The feathers of the breast must go,
intervening skin must be flensed away,
the pigeon’s heart must be devoured first,
for life must be eaten raw. My own skin
is no thicker than the pigeon’s. My own
heart no more difficult to find & remove.
Another predator with softer talons,
an animal with eyes that blink, a throat
loaded with words & not just growl,
could anytime make me their pigeon.
Lesson learned. Summer sun’s sawblade
edge cuts the moment into neat,
easily memorized patterns & angles.
The First Word
how you had to invent the ur-tongue
that unfurled you,
the ur-throat that bore & birthed you
how you made it fact: the universe
is traced
from a teardrop drained of all liquid
how you chased your lover, silence,
to the edge of an
outer void where you couldn’t exist
how you came to hate & envy your
younger siblings
in their baroque polysyllabic finery
how you were forgotten, discarded,
just another
fossil entombed with amber & nacre
how you were embittered, became
primal peal of fear,
ragged, rough-hewn cloud of breath
how you are still with us as we make
love, the torrid
tides of our bodies bursting our skins
how you are with us when we glance
nightward, gaping at
stars swaddling us in threads of light
On the Only Planet where Li Bai is Buried
in buoyant moods like this
what can I do but
go for a walk
& invite
even the mosquitoes
to join me
on the only planet
where Li Bai is buried
what can I do but
sing in public
loudly
poorly
when night winds
fling my busted door open
what should I do but
leave it be &
welcome the milky way
into my living room
for a toast
of gas station wine
Dragon
it must be hideous at first
a crawling sack of organs
& half-whittled bone
before it ornaments its naked wings
in scales of atomic glass
carves itself teeth from bullets
shapes a tongue from strips of rubber
scattered on the blasted highways
eyes of zinc & gold
from the melted clocks
that ran in rivers as
our time ran out
cavernous, billowing lungs
of Pacific Ocean plastic
will it learn to love the red sky
the gray sun
will it ever shape a word for summer
will it know the falling ash from snow
will it know those white shadows
painted
on the broken teeth of our towers
on the blackened skin of our cities
will it know the stencil shape of a mother
drawing her child into her arms
that space that had always been safe
until the time when
no arms no embrace no amount
of love could keep anyone safe
could keep anything’s pieces together
will it learn you can’t hope your way
out of nuclear fission
will it learn from the theater
our wall shadows make
or will it breathe the fire
back into the furnaces
will it shape again the clocks
that hook their hands into time’s skin
will it build its executioner
idea by idea
piece by piece
part by part
atom by atom
bomb by bomb
not even our shadows
would survive a second try
I Am the A.M.
& now Tuesday, but not all of Monday yet
evaporated
from pollen-yellow streetside stormdrains
same today as all days, dull coruscations
of lost
drunk morning stars wallowing in puddles
Lucifer as we all know was just an angel
asked
to come to work early one time too many
bottled in traffic my half-swallowed curse
never
hammer enough to smash the dashboard
& on arrival I am sown as powdered glass
bloodying
the pink rinds of everyone’s tender insteps
Jonathan Louis Duckworth received his MFA from Florida International University. His fiction, poetry, and non-fiction appears in New Ohio Review, Fourteen Hills, PANK Magazine, Thrice Fiction, Cha, Superstition Review, and elsewhere.
A new contributor to VMP
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